Wiccan religion: The Goddess and Gods of the Wiccan Religion :: Essays Papers

Wiccan religion The theologydess and Gods of the Wiccan Religion Wicca is the most prevalent form of reconstructionist neo-paganism in the United States and is the pre-Christian spirituality of the Celtic peoples who resided in the British Isles and Brittany and on the western seashore of France. Wicca is a religion based upon deep personal understanding of oneself and the multi-verse in which one resides. They work with the Gods and Goddess that call to us, and we develop relationships with them that help and support them in their evolution. Wicca is a spiritual path, a way of seeing the world and Divinity, and our relationship to it. They believe that Goddess is imminent in the world around us. Goddess permeates every living thing, and most of them draw rocks, soil, water, air, fire, and the plant herself as living things. The God of Wicca is the Horned God, the ancient God of Fertility the God of the forest, flock, and field and also of the hunt. He is Lord of Life, and the G iver of Life, and he is also Lord of Death and Resurrection. http//www.interlog.com/spawn/gods.html Wicca is considered to be a radical faith in spite of significant numbers of goddess devotes who are extremely conservative in their lifestyles and the tenets they hold. The wiccan religion is not solely a womens faith. While their are women-only groupings, and women-led, or women-predominant ones, there are just as umteen mixed gender groupings, in some of which men are dominant. There are also numerous solitaries, both women and men. In Wicca, practitioners notice the holy dichotomy of the sexes in nature and in themselves, and worship the Divine as both God and the Goddess. Most modern Wiccans feel that while the God and Goddess are decompose and equal, there are also two separate sides of the same coin all in one. And all that they see, touch, feel, hear, or sense is Holy. The Goddess is known as The tidy Lady Mother each of whom could appear in many, guises depending on th e personal needs of the individual invoking them. The God is known as the Horned God. The Horned God is the group soul of the hunted animal, invoked by the primitive shaman and the tribe. The Goddess, whether Gentle Lady-Mother or thundering and Powerful Seductress has never really been broadly attached specifically to an animal form as much as the God was.

Existentialistic Analysis of the Epilog of The Tempest :: Shakespeare Tempest

Existentialistic Analysis of the Epilog of The storm One may recall it ridiculous to contrast between Shakespeare and existentialism in its 20th century form, however one must keep in mind, that existentialism does not pop as a single philosophical system. It is more an attitude of life, a general vision - existentialist Jean-Paul Sartre is known to have stated that existentialism was neer invented, it has always existed as the ultimate foundation. Upon that light, why not seek the foundations from the work of the forefather of all dramatists? It is above all nave to claim Prosperos epilog in Shakespeares play The Tempest a mere conventional appeal for applause or the stripping of the imaginary glamour built up by the plays magic. Even the greatest of artists would rather give away his life than surrender his art to be judged solely by the public. Art for an artistic whiz is practised for its own sake art for the purpose of art. Existence for the sake of existence itself - st ripped of meaning, of value and of subjective interpretation. In its bear meaningless form, something unflustered remains the necessary Natural Law, a philosophical concept considered the basis of human well-being, a system of the values that determine human existence. Throughout The Tempest Prosperos character portrays an image of a nearly Nietzchean superhuman capable of disclaiming authority, killing God. He is in control of every situation and event as if the chain of causes and effects would be a conductible melody waiting for an artists touch. On the other hand he is very human a wronged duke and a father, a symbiosis which Shakespeare displayed with the use of Prosperos garment as a theatrical tool. An artist is the creator, the maker of realities yet he remains human, an animal with feelings and urges, ties only waiting to be cut. The view implied is not far from the ideologies that emerged from the great suffering of the second world war a man is capable of constructing h imself a framework of personal and social meaning, but his true animal nature remains unchanged. In the heart of existence, life has no predefined meaning, it is a mere passage of survival from necessary birth to necessary death. Prosperos and his daughters situation on the island was hopeless, however Prospero had chosen a function for his life - revenge. Prospero created a meaning for his life, built a synthetic reality to keep him sane on the path towards the finality of human death.